Ethics and Authorship in Art of the 1970s and 1980s
Omschrijving
Sydney Stutterheim introduces a new figure into histories of Western performance art during the 1970s and 1980s: the accomplice, whose unseen and unacknowledged role questions notions of artistic agency, intellectual property, and authorship.
Ik heb een vraag over het boek: ‘Artist, Audience, Accomplice - Stutterheim, Sydney’.
Vul het onderstaande formulier in.
We zullen zo spoedig mogelijk antwoorden.
